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	<title>Leave No Trace &#187; Tiny sketch</title>
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	<description>Erasing with digital media</description>
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		<title>Artists&#8217; code</title>
		<link>http://www.notrace.org.uk/2009/09/artists-code/</link>
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		<pubDate>Tue, 15 Sep 2009 09:51:30 +0000</pubDate>
		<dc:creator>Alec</dc:creator>
				<category><![CDATA[Processing]]></category>
		<category><![CDATA[competition]]></category>
		<category><![CDATA[Tiny sketch]]></category>

		<guid isPermaLink="false">http://www.notrace.org.uk/?p=37</guid>
		<description><![CDATA[There ought to be something profound for the very first post on this blog, but I&#8217;m struggling. I suspect that the benefits of this blog will only surface if and when lots of people start discussions. At the weekend, I went on an introductory course on the open source computer programming language Processing. Processing was [...]]]></description>
			<content:encoded><![CDATA[<p>There ought to be something profound for the very first post on this blog, but I&#8217;m struggling. I suspect that the benefits of this blog will only surface if and when lots of people start discussions.</p>
<p>At the weekend, I went on an introductory course on the open source computer programming language <a href="http://www.processing.org">Processing</a>. Processing was developed specifically for artists and others who think visually rather than in code, so although it&#8217;s a powerful, low-level tool, you can achieve amazing things with it using only a few lines of code.</p>
<p>In fact, a competition called Tiny Sketch has just finished, where the main rule is that programmes (or sketches as they&#8217;re called in Processing) have a maximum of 200 characters. That&#8217;s not 200 lines of code but 200 characters &#8211; less than one and a half Twitter messages! Some of the <a href="http://www.openprocessing.org/collections/rhizome.php">entries</a> are amazing.</p>
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