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	<title>Leave No Trace &#187; Processing</title>
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	<link>http://www.notrace.org.uk</link>
	<description>Erasing with digital media</description>
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		<title>Flight Patterns revisited</title>
		<link>http://www.notrace.org.uk/2010/08/flight-patterns-revisited/</link>
		<comments>http://www.notrace.org.uk/2010/08/flight-patterns-revisited/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 08:33:23 +0000</pubDate>
		<dc:creator>Alec</dc:creator>
				<category><![CDATA[Data visualisation]]></category>
		<category><![CDATA[Aaron Koblin]]></category>
		<category><![CDATA[Processing]]></category>

		<guid isPermaLink="false">http://www.notrace.org.uk/?p=357</guid>
		<description><![CDATA[I&#8217;ve mentioned Aaron Koblin&#8217;s Flight Patterns a couple of times already on this blog (here and here), and it was mentioned again by Create Digital Motion because of the disruption of air travel by the erupting Icelandic volcano. The reason I bring it up again is that I read an interview with Aaron, one of [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve mentioned Aaron Koblin&#8217;s <a href="http://www.aaronkoblin.com/work/flightpatterns/">Flight Patterns</a> a couple of times already on this blog (<a href="http://www.notrace.org.uk/2009/11/flights-of-fantasy/">here</a> and <a href="http://www.notrace.org.uk/2009/09/generative-art/">here</a>), and it was <a href="http://createdigitalmotion.com/2010/04/flight-patterns-visualization-revisited-in-a-volcanic-age/">mentioned</a> again by Create Digital Motion because of the disruption of air travel by the erupting Icelandic volcano. The reason I bring it up again is that I read an interview with <a href="http://wiki.processing.org/w/Aaron_Koblin_Interview">Aaron</a>, one of three interviews on the Processing <a href="http://wiki.processing.org/w/Main_Page">wiki</a>.</p>
<p>I like Processing, and enjoy my dabblings with it, but it&#8217;s much more interesting hearing how artists use it as a tool to achieve so much more. (See also the interviews with artists in &#8216;Processing&#8217; by Casey Reas and Ben Fry.)</p>
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		<title>&#8220;a moment of haptic tension&#8230;&#8221;</title>
		<link>http://www.notrace.org.uk/2010/06/a-moment-of-haptic-tension/</link>
		<comments>http://www.notrace.org.uk/2010/06/a-moment-of-haptic-tension/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 16:06:17 +0000</pubDate>
		<dc:creator>Alec</dc:creator>
				<category><![CDATA[Data visualisation]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[Processing]]></category>

		<guid isPermaLink="false">http://www.notrace.org.uk/?p=368</guid>
		<description><![CDATA[[the teeming void] rarely posts on his blog, but it&#8217;s always interesting when he does. I&#8217;ve linked to his blog several times already: on digital theory, jewellery based on weather data and his book on art and artificial life. His latest post is about another of his rapid-prototyping projects, where he created a cup using Processing, based on [...]]]></description>
			<content:encoded><![CDATA[<p>[the teeming void] rarely posts on his blog, but it&#8217;s always interesting when he does. I&#8217;ve linked to his blog several times already: on <a href="http://www.notrace.org.uk/2009/11/digital-theory-and-philosophy/">digital theory</a>, jewellery based on <a href="http://www.notrace.org.uk/2009/10/everywhere-you-go-you-take-the-weather-with-you-crowded-house/">weather data</a> and his book on <a href="http://www.notrace.org.uk/2009/10/art-and-artificial-life/">art and artificial life</a>.</p>
<p>His latest <a href="http://teemingvoid.blogspot.com/2010/06/measuring-cup.html">post</a> is about another of his rapid-prototyping projects, where he created a cup using Processing, based on meteorological data. It looks slipshod to say the least, but those variations are caused by climate change, and they reveal a trend. It&#8217;s a particularly interesting example of data visualisation, an area which will only grow in importance.</p>
<p>The Guardian newspaper has published many articles over recent years on opening up data e.g. on <a href="http://www.guardian.co.uk/technology/blog/2010/mar/17/ordnance-survey-consultation-ending">Ordnance Survey maps</a> and <a href="http://www.guardian.co.uk/technology/blog/2010/mar/04/crime-mapping-api-uk">crime</a>, the <a href="http://data.london.gov.uk/datastore">London datastore</a> is perhaps the first for many cities in this country (see also <a href="http://www.guardian.co.uk/technology/blog/2010/jun/15/london-datastore-tfl-data-free">Transport for London</a>), and the recent publication of the <a href="http://data.gov.uk/dataset/coins">COINS database</a> on government spending could lead to some interesting work.</p>
<p>At an apparently more prosaic, or at least human scale, Jeremy Wood is a GPS artist capturing activities like <a href="http://rhizome.org/editorial/3606">mowing the lawn</a>, on display at <a href="http://www.tenderpixel.com/gps-artist-wood-2010.html">Tenderpixel</a> in London until 22 June.</p>
<p>There is so much potential for digital artists to use this data (though being confident in the use of APIs is a hefty requirement). But [the teeming void] doesn&#8217;t just capture data in interesting ways. He writes about it too. His <a href="http://teemingvoid.blogspot.com/2010/05/this-is-data-arguing-with-data-baby.html">post</a> on the underlying messages about data in a series of IBM commericals is fascinating, and highly recommended reading on the slyly manipulative approach.</p>
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		<title>Artists&#8217; code</title>
		<link>http://www.notrace.org.uk/2009/09/artists-code/</link>
		<comments>http://www.notrace.org.uk/2009/09/artists-code/#comments</comments>
		<pubDate>Tue, 15 Sep 2009 09:51:30 +0000</pubDate>
		<dc:creator>Alec</dc:creator>
				<category><![CDATA[Processing]]></category>
		<category><![CDATA[competition]]></category>
		<category><![CDATA[Tiny sketch]]></category>

		<guid isPermaLink="false">http://www.notrace.org.uk/?p=37</guid>
		<description><![CDATA[There ought to be something profound for the very first post on this blog, but I&#8217;m struggling. I suspect that the benefits of this blog will only surface if and when lots of people start discussions. At the weekend, I went on an introductory course on the open source computer programming language Processing. Processing was [...]]]></description>
			<content:encoded><![CDATA[<p>There ought to be something profound for the very first post on this blog, but I&#8217;m struggling. I suspect that the benefits of this blog will only surface if and when lots of people start discussions.</p>
<p>At the weekend, I went on an introductory course on the open source computer programming language <a href="http://www.processing.org">Processing</a>. Processing was developed specifically for artists and others who think visually rather than in code, so although it&#8217;s a powerful, low-level tool, you can achieve amazing things with it using only a few lines of code.</p>
<p>In fact, a competition called Tiny Sketch has just finished, where the main rule is that programmes (or sketches as they&#8217;re called in Processing) have a maximum of 200 characters. That&#8217;s not 200 lines of code but 200 characters &#8211; less than one and a half Twitter messages! Some of the <a href="http://www.openprocessing.org/collections/rhizome.php">entries</a> are amazing.</p>
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